Category: Touring Performances

Public performances other than TWG.

CHICAGO’S WEIRD, GRANDMA: November 5 Griffin’s Tale & Jyldo

Posted by Joe on October 30, 2012

That's Weird Grandma TWG Weekly Update Touring Performances

CHICAGO’S WEIRD, GRANDMA on November 5 will feature Griffin’s Tale & Jyldo

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Here is an interview between you and Barrel of Monkeys’ Artistic Director, Molly Brennan:

You: Tell me about Griffin’s Tale.

Molly: Griffin’s Tale is Northwestern University’s children’s repertory theatre company. This theatre ensemble creates a sketch comedy show from stories that have been submitted from elementary schools…sound familiar?  Griffin’s Tale was the inspiration for Barrel of Monkeys!

Barrel of Monkeys’ founders Halena Kays and Erica Rosenfeld Halverson were members of Griffin’s Tale at Northwestern University. After graduating from Northwestern, Halverson and Kays realized that there were underserved students in the Chicago Public School who would benefit from similar programming and consequently founded Barrel of Monkeys.

You: What will Griffin’s Tale bring to the adaptation process that is unique?

Molly: The entire Griffin’s Tale Ensemble will fill the stage for their piece.  So, it may be our biggest guest cast yet for CWG.  This highly energetic crew is a delight to watch, and we are excited to have our Northwestern roots come to join us.

You: How else can I experience Griffin’s Tale if I like what I see or want to know more?

Molly: Griffin’s Tale has public offerings throughout the year.  Discover Griffin’s Tale

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You: Tell me about Jyldo.

Molly: Jyl Fehrenkamp (Jyldo) is a dancer, choreographer and spandex-professional.  Her creative work often fuses dance with burlesque-inspired performance art and has been seen in a variety of Chicago nightclubs and theaters, including Links Hall; where she was the curator and hostess of Links Hall favorite, Poonie’s Cabaret from 2005-12.  Recent projects include choreographing Scott Bradley’s rock musical parody “Alien Queen”,  and creating and hosting the Sci-Fi variety hour, “Battlestar Fantastica”, which was featured as the opening act for “Alien Queen” during 2011. Jyl co-created the Fabulous Ladies of Fitness (FLOF), a DJ collective and interactive dance party that she was part of from 2009-11. Jyl currently leads her signature Slow-Jammercize routines at nightclubs, parties and retreats.  Jyl is a certified WERQ and yoga instructor and teaches at the Dance Center of Columbia College Chicago, Yogaview, Midtown Athletic Club, Cheetah gyms and Wicker Park and West Loop Athletic Club.  She performs regularly with the Power of Cheer and co-teaches “Cheerobix”, a new dance fitness class that is taking over Chicago one pom pon at a time.  Jyl has had the pleasure of performing with many wonderful Chicago artists, including Jesse Morgan Young, Jessica Hudson, Mattrick Swayze, Patrick Andrews, Trandroid, Rocco Granite, Asimina Chremos, Winifred Haun, Peter Carpenter, The Chicago Kings and Atalee Judy / BONE Danse.

You: What will Jyldo bring to the adaptation process that is unique?

Molly: A high level of physicality and humor.  And dorky beauty.

You: How else can I experience Jyldo if I like what I see or want to know more?

Molly: You can take a fitness class at Yogaview, MAC, Cheetah and WLAC,  Or check out any of the latest rocking performance event, and you can probably bet Jyl’s there doing her thing! Discover Jyldo

Join us for the fun!

CHICAGO’S WEIRD, GRANDMA: Oct 22nd Manual Cinema & About Face Theatre

Posted by Joe on October 16, 2012

That's Weird Grandma TWG Weekly Update Touring Performances

CHICAGO’S WEIRD, GRANDMA on Oct 22nd will feature Manual Cinema & About Face Theatre

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You: Tell me about About Face Theatre.

Molly: About Face Theatre creates exceptional, innovative, and adventurous plays to advance the national dialogue on gender and sexual identity, and to challenge and entertain audiences in Chicago, across the country, and around the world.

Additionally, About Face has a well-established Youth Theater that was created as a safe space for lesbian, gay, bisexual, transgender, queer or questioning young people and their allies to tell their stories and create community. The exclusion of queer history and dialogue from schools, and the consistent discrimination and violence suffered by queer youth are the most immediate problems About Face Youth Theatre addresses with their multi-tiered programming.  This program is empowering at all levels.  Not only do participants enjoy the opportunity to express themselves artistically, they are also integrally involved in the program planning.  This is a vital part of our community, and I am very proud that About Face offers this to the young people of Chicago.

You: What will About Face bring to the adaptation process that is unique?

Molly: I attended their rehearsal for “Monster Mash” by Ethan B. from Paderewski Elementary on Tuesday.  It is absolutely hilarious and sweet and polished and has a musical montage.  Fantastic Chicago stage veterans Mitchell Fain and Scott Duff joining the young and talented Philip Dawkins in this adaptation.  This trio of AFT Artistic Associates brings a tight performance that explores the challenges of relationships, and what comes of getting stuck with someone.  The even balance of professional chops and unbridled joy is something I have come to enjoy from About Face productions, and I am thrilled for our audience to see it!

You: How else can I experience About Face Theatre Company if I like what I see or want to know more?

Molly: This year’s Holiday spectacular is “We Three Lizas”, a surprising holiday musical sure to please! Receive more information on this show and upcoming events!

Discover About Face Theatre

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You: Tell me about Manual Cinema.

Molly: Manual Cinema is a collaboration between puppeteers/graphic artists Julia Miller, Drew Dir and Sarah Fornace, with musician/composers Kyle Vegter and Ben Kauffman. Their process combines handmade shadow puppetry, cinematic motifs, and live sound manipulation to create immersive theatrical stories. Their tools are paper, acetate, ink, light, air pressure, and overhead projectors. They love dreamscapes, landscapes, sound-scapes, feet, hands, space, small delicate sounds, and animating the inanimate.

You: What will Manual Cinema bring to the adaptation process that is unique?

Molly: Manual Cinema creates in a way that is very different from Barrel of Monkeys, and I am excited to see their adaptation of “Hair Fear!!!!!” by Sheriff N., Dixon Elementary.  It will be lovely to have something so highly technical on our stage!

You: How else can I experience Manual Cinema if I like what I see or want to know more?

Molly: Manual Cinema will be presenting the World Premiere of Lula Del Ray at the Den Theatre, November 29-December 16.  Receive more information!

Discover Manual Cinema

Get tickets today to join in on the fun!

CHICAGO’S WEIRD, GRANDMA: Strawdog Theatre Company

Posted by Joe on October 11, 2012

That's Weird Grandma TWG Weekly Update Touring Performances

Monday, Oct 15th Strawdog Theatre Company

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Come see Strawdog Theatre Company celebrate students’ work.

Here is an interview between you and our artistic director Molly Brennan:

You: Tell me about Strawdog Theatre

Molly: “Strawdog offers Chicago the premiere storefront theatre experience. They develop new work, re-imagine classic plays, explore new fusions of music and theatre, ask provocative questions and deliver the unexpected to their audience. They provide a home for their celebrated ensemble to work and play with the most sought after artists in Chicago theatre along with the best new talents in the city.”
Strawdog is a pillar of Chicago Storefront Theatre.  These guys are producing their 25th Season! They survived the implementation of the PPA license in the 90’s that resulted in a number of storefront shut-downs and throughout the years have grown and changed and adapted and remained a place where many talented Chicago actors, designers, directors and technicians have called home.  They have two spaces, their mainstage, and then a great smaller spot called Hugen Hall that features all manner of music, cabarets, and smaller productions.  There’s always something happening at Strawdog!

Strawdog produced one of my very favorite Chicago productions.  “Red Noses” was a show I went back and saw 5 times.  I found it to be incredibly moving and funny and wonderful, and like it was a play just for me.  Plus, the soundtrack jammed.

Included in the Strawdog ensemble is BOM Company Member Sarah Goeden; and Kyle Hamman, who produced a Barrel of Monkey’s film written and directed by one of our students!

You: What will Strawdog bring to the adaptation process that is unique?

Molly: Strawdog shows a lot of respect for, and attention to, the text.  I suspect their table work on their piece will be extensive, and that they will spend a lot of time and effort in doing the authors’ words justice onstage.  They have an accomplished ensemble of actors, and I’m excited to see what they do with the piece!

Their piece is POEM: FLY LIKE A BIRD by Jalyn H., Dixon Elementary


You: How else can I experience Strawdog Theatre if I like what I see or want to know more?

Molly: “Neighborhood 3:  Requisition of Doom” is their current project.  Another scary show that I got to see on opening night! Fusing slick technology with a solid quartet of exceptional actors, this piece flips between earthly and virtual landscapes to great success.  The social commentary on the decay of true communication with the advance of communication technology has me still thinking and worrying! Great for adults and teens.  I would say it would be great for parents to see WITH their teens.  It runs through November 10.  For more information, learn more.

Learn more about Chicago’s Weird, Grandma!

CHICAGO’S WEIRD, GRANDMA: WildClaw Theatre

Posted by Joe on October 9, 2012

That's Weird Grandma TWG Weekly Update Touring Performances

Monday, Oct 15th WildClaw Theatre

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Come see WildClaw celebrate students’ work.

Here is an interview between you and our artistic director Molly Brennan:


You: Tell me about Wildclaw Theatre?

Molly: “Storytelling is in our blood” is their slogan. “All the thrills that our imagination, heart and intellect derive from the greatest horror fiction, art, film, games, and poetry - all these thrills, we will provoke alive, in the flesh, breathing and bleeding from the stage, and right in your face. Horror Theatre.”  They are scary and awesome.

You: What will Wildclaw bring to the adaptation process that is unique?

Molly: This team plays exclusively with horror.  As you may know, monsters, zombies, mummies, vampires, werewolves, and movie greats like Jason and Chuckie are often stars of our students’ stories.  Wildclaw has chosen a story by Francisco from our Loyola Park After School Program about a zombie-eating dinosaur, and since this piece is in the Wildclaw genre, these experts are going to nail it!

I went to their rehearsal for CWG and I am thrilled for it to hit the Grandma Stage!  They will be performing UNTITLED (T Rex Eats Zombies) By Francisco V Loyola Park After School Program

You: How else can I experience Wildclaw Theatre if I like what I see or want to know more?

Molly: I attended the opening of “Life of Death” at the DCA Theatre, and I have this to say: I found it to be excellent. This piece scores high in psychological terror, philosophical challenge, and onstage gore effects. The storytelling is excellent. It flows beautifully between high theatricality and sobering realism. The sound and lights are fantastic, and the multi media stuff is clever and never disrupts the flow. The set is impressive and well-used. There are a ton of locations and scene changes and they range from entertaining to impossibly smooth. The cast nails it. It is creepy and scary and wonderful. It only runs through November 4. It is not for kids. For tickets, go here!

Incidentally, something I was tickled by in seeing their latest production, was the number of devices they used that are common in the Barrel of Monkeys’ staging:  1:  The use of onstage slow motion.  2.  The simple but effective physical choreography of people on a subway and 3.  What BOM calls the “Silverberg turn”. 

You: The “Silverberg Turn”..?

Molly: Named after one of the original actors in Barrel of Monkeys, Eric Silverberg, it refers to the technique of actors turning around in place to suggest travel to a new location.

Anyway, it’s delightful and surprising to see these kinds of similarities between a Horror company and us.

Learn more about Chicago’s Weird, Grandma!